Based on her sustained interest in events and time, Choo Young-jin constructs scenes stripped of information by blending everyday observations with fragmentary collections. These scenes are less direct reenactments of specific events and more akin to residues left behind where events have passed, or where memory and record intersect. Different media—painting, objects, text, records—are juxtaposed like disparate pieces of evidence surrounding an event. The artist's work functions as both a space and an experimental process where tensions and collisions arise between the narrative of figurative imagery and abstract screens, between events and records, truth and fiction.