Choo Youngjin utilizes personal collections to create scenes where disparate visual information coexists. Diverse archives—ranging from everyday photographs to text, objects, and internet-based scrapbooking—are reconfigured into new visual objects through cutting, layering, and obscuring. The artist focuses on the imperfect temporal gaps and fictionality between actual events and visual records, exploring the resulting confusion and playfulness. Her work is a space and experimental process where the narratives of figurative images intersect with abstract screens, and collisions occur between painting and objects, events and records, truth and fiction.