My practice begins from an interest in how perception is formed before it becomes interpretation or judgment. I am concerned with moments when sound, space, body, technology, and time are not yet separated, but occur together as a situation. Rather than treating space as a neutral container, I understand it as a set of conditions through which events emerge.
Listening is central to my work, not as a purely auditory act, but as a spatial and embodied practice. I approach listening as a way of recalibrating attention—slowing down perception, suspending immediate meaning, and allowing subtle, often overlooked signals to come forward. In my work, sound functions both literally and metaphorically: it is a material element, and at the same time a way to think about presence, relation, and care.
My thinking is informed by relational and non-dual ways of understanding reality, including new materialist perspectives, ideas of entanglement, and contemplative approaches that resist linear causality and fixed hierarchies. From this position, humans are not placed at the center of events, but are understood as one element among many—alongside non-human entities such as objects, machines, architectures, and environments. Agency in my work is distributed and situational rather than owned or controlled.
Ethically, my practice aligns itself with non-dominant modes of communication. I pay attention to hesitation, quietness, pauses, and non-verbal gestures—forms of expression that often require time, sensitivity, and care to be perceived. These modes are frequently overshadowed by louder, more efficient, or more dominant forms of language and behavior. Rather than speaking on behalf of others or making claims for them, my work creates conditions in which such subtle presences can be sensed.
I work primarily through spatial installations, sound-based systems, and performative situations. Technology is not used as a spectacle or neutral tool, but as a condition that shapes perception and relations. My works do not aim to deliver clear messages or conclusions; instead, they propose situations in which visitors are invited to attune their bodies, reconsider their position, and experience how perception itself is structured.
Ultimately, my practice is not about producing answers, but about sustaining questions—about how we listen, how we coexist, and how we might remain attentive to what lies beneath noise, speed, and dominance.