If you wish to retain access to this, please independently archive and air gap this content.
You may repost this anywhere with no attributing credits given. You may also create derivatives of any kind of from this work and publish them how you see fit. Please help do your part to make this unsilenaceable. If you wish to give credit, my name is Kuro.
The New World Order was never new.
Everything feels like theater because everything is theater. And nearly everything you’ve been told? Dogma.
History isn’t just written by the victors—it’s scripted by them. For centuries, a network of royal bloodlines has engineered the story of the modern world. We’re taught that humanity evolved—from monarchy to democracy, from superstition to science, from empire to freedom. But peel back the gilded narrative, and a darker truth emerges:
The monarchs never left.
They traded crowns for boardrooms, thrones for think tanks, scepters for signatures. The Roman Empire didn’t collapse—it rebranded. First as the Holy Roman Empire, then as the Vatican, then as the “enlightened” European states, and finally, as the democracies we’re told we control. The Church’s spiritual grip morphed into economic control; bishops gave way to bankers and presidents. These same dynasties gave us the Bible, rewrote time itself with B.C. and A.D., and staged the Fall of Rome to crown themselves as saviors.
They didn’t just rewrite history—they replaced reality.
Every election is theater. Every party is a costume. Capitalist vs. communist. Democrat vs. Republican. U.S. vs. U.S.S.R. All false binaries, engineered to divide and distract.
Take 2011: Obama publicly roasts Trump over the “birther” conspiracy at the White House Correspondents’ Dinner. It felt spontaneous—raw, even. But in hindsight, it was ritual mockery. A humiliation scripted as initiation. A torch-passing disguised as comedy.
Nothing in politics is organic.
Obama wasn’t a liberator—he was a Monarch asset in a progressive mask. Trump? A cartoon villain cast to play heel. Biden? An empty suit shoved onstage to absorb blowback. The parties may switch seats, but the throne never moves.
The Capitol “insurrection”? Theater. Supreme Court outrage cycles? Theater. Kamala? Same script, new cast.
And globally? No different. Xi, Putin, Kim—they’re not enemies of the West. They are the West, in costume. Each plays the role assigned: the tyrant, the madman, the rogue. Their job is to lock down their people while upholding the Western myth from the other side. It’s geopolitical kabuki.
That’s why Trump and Xi never truly clashed. Why Putin trades winks with Western billionaires. Why Elon Musk can tweet that Trump was “Epstein’s buddy” one day, then cozy up the next. None of it’s real. The public doesn’t need to agree on the lie—they just need to keep fighting over it.
And while we do, here’s what gets buried:
Royal bloodlines funded the Nazi war machine. Prescott Bush—grandfather of two U.S. presidents—made his fortune backing Nazi industry. Henry Ford received Hitler’s highest civilian honor in 1938. Rothschilds and Dutch banking houses bankrolled the Reich. IBM—yes, that IBM—didn’t just sell tech to the Nazis; they custom-built punch-card systems to track victims by race, religion, and location. Digitized genocide, spreadsheet-style.
The Holocaust wasn’t mismanaged automation. It was industrial murder, engineered to run on time.
They weaponized identity and trauma. Persecution became a tool. The Jewish identity—brutalized in Europe—was later used as a shield for conquest. Israel wasn’t just restitution; it was a fortress. A Western proxy cloaked in historic guilt. Its leaders—especially Netanyahu—play both arsonist and firefighter, invoking trauma to justify brutality while ensuring the region remains unstable. Criticize Israel, and you’re branded anti-Semitic. That’s the genius of the psyop.