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We talkĀ muchĀ of Imagination. We talk of the Imagination of Poets, the Imagination of Artists; I am inclined to think that in general we don’t know very exactly what we are talking about…It is that which penetrates into the unseen worlds around us, the worlds of Science. It is that which feels & discovers whatĀ is, theĀ realĀ which we see not, whichĀ existsĀ not for ourĀ senses. Those who have learned to walk on the threshold of the unknown worlds…may then with the fair white wings of Imagination hope to soar further into the unexplored amidst which we live.

-Ada Lovelace


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<aside> šŸ“Œ THE IDEA OF THE IMAGINATION

To imagineĀ is to represent without aiming at things as they actually, presently, and subjectively are. One can use imagination to represent possibilities other than the actual, to represent times other than the present, and to represent perspectives other than one’s own. Unlike perceiving and believing, imagining something does not require one to consider that something to be the case. Unlike desiring or anticipating, imagining something does not require one to wish or expect that something to be the case.

Imagination is involved in a wide variety of human activities, and has been explored from a wide range of philosophical perspectives. Philosophers of mind have examined imagination’s role in mindreading and in pretense. Philosophical aestheticians have examined imagination’s role in creating and in engaging with different types of artworks. Epistemologists have examined imagination’s role in theoretical thought experiments and in practical decision-making. Philosophers of language have examined imagination’s role in irony and metaphor.

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A Magical Meditation on the Invisible Everything of Human Imagination

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