My Experimental Writings was created during a course combining lectures and practice classes. This zine is a collection of experimental texts developed in response to lectures, readings, and writing exercises throughout the course. Working across different methods of writing, I explored intuition, multilingualism, repetition, and association, allowing theory to become part of the writing process rather than something to be explained. The publication serves as both a record of experimentation and an extension of my artistic practice.
Neregimųjų aidai / Echoes of The Unseen is a speculative story built from the archives of my former high school in Lithuania. Through newspapers, photographs, drawings, floor plans, and other documents gathered from the National Library of Lithuania, the Lithuanian Central State Archives, and the school itself, I traced fragments of lives that once occupied the same spaces as I did. Among these discoveries were a student's poem and a drawing published decades ago in school newspapers.
Rather than reconstructing history, I allow fiction to fill its silences. Written in both Lithuanian and English, the story imagines a place where generations of students and memories coexist, where those shaped by the same school can encounter one another across time.
Created during the elective The End of Things, led by Anna Bierler, this project emerged through lectures, readings, and writing exercises exploring more-than-human perspectives and ecological thinking. Drawing on texts such as The Second Body by Daisy Hildyard, The Life of Plants by Emanuele Coccia, When Species Meet by Donna Haraway, and various unlearning exercises, I’ve developed a written piece that was later transformed into a sound work. This document offers a glimpse into the process.
To Swallow a Frog – To Win the Freedom began as a university theory assignment but grew into an exploration of photography as a witness to history and a carrier of collective memory. Focusing on Lithuania's path to independence, the essay traces how photographs documented resistance, preserved everyday life under occupation, and became enduring symbols of freedom. Combining historical research with personal reflection, the publication connects broader political narratives to my own relationship with Lithuania, questioning how images continue to shape identity, memory, and our understanding of the past.