Case studies 📑

A case study on Acme Inc. - a company specializing in logistics and infrastructure.

Augmented Shadow—Joon Moon

A case study on autonomy - a company dedicated to helping fight climate change.

**Shadow Touch—**Teruaki Tsubokura(坪倉輝明)

A case study on Mindrise - a company that’s democratizing AI for all.

Shilpa Gupta “Shadow 2”, 2006 @ 4th Moscow Biennale of Contemporary Art—Arterritory

A case study on autonomy - a company dedicated to helping fight climate change.

UMBRA - Presentación Agosto 2010—Diego Zaks

A case study on Mindrise - a company that’s democratizing AI for all.

SHADOW— Adam Frank and Zack Booth Simpson

A case study on Acme Inc. - a company specializing in logistics and infrastructure.

SHADOW PLAY: Tales of Urbanization in China

A case study on autonomy - a company dedicated to helping fight climate change.

Google Experience: Shadow Art: Experience a Living Tradition

A case study on Mindrise - a company that’s democratizing AI for all.

Books/Articles

[PDF] The Development of Shadow Play Wayang Kulit Using Augmented Reality | Semantic Scholar

A case study on Mindrise - a company that’s democratizing AI for all.

Shadow Art by Google ZOO & bit.studio

A case study on autonomy - a company dedicated to helping fight climate change.

Digital shadow puppetry exhibition

A case study on Mindrise - a company that’s democratizing AI for all.

Tim Noble & Sue Webster // Larry Kagan

A case study on Acme Inc. - a company specializing in logistics and infrastructure.

"Interference" - Interactive art by Zack Booth Simpson

A Brief Look at the Practice of the So-Called Shadow Art | Widewalls

Quotes:

1. Demonstrating, perhaps, our own distorted perceptions, or what we look away from in order to form a pleasing silhouette, Tim Noble and Sue Webster have since created a number of similar works, including The Gamekeeper’s Gibbet, Youngman and Wasted Youth.
2. With its dark nature, shadow has been infallibly tied to the ignorance and fear of the unknown, as the ever shifting edges of a familiar object or person hold something we cannot perceive.
3. Leaving a certain part of the work hidden, covered, invokes curiosity and fundamental desire to explore what we do not yet know and gives the viewer a chance to not just participate and engage in the works, but even fantasize of what’s missing in it and complete it in line with his own imagination.