Watch the meeting here:
https://youtu.be/J99PcOBAC4U
Defining what “cinematic” means:
- Your film “doesn’t need to look expensive”
- It’s more about the level of the
- Copy movies you love as you develop your taste
- Getting good sound can make it feel robust and bigger than big production
- Talent increases the cinematic quality of your film
- In Layover, Josh’s most “expensive” looking shots were the airport/club scenes, and the cheapest things to make
- You can do a lot by piecing things together to get the expanse/shot you need: ie. if you need a controlled performance against a vast expanse, shoot small/close for those scenes and then go grab the more expansive footage which may be a bit too “wild” for the controlled performance you want, and then stitch those two pieces together in post
- “We can’t discount the audience’s psychological understanding, they’ve seen it all” / You know [cinematic quality] when you see it
How do you elevate the cinematic feel of your movie?
- Staging vs. Capturing: staging has more of a formality to it, perhaps set on a studio set, etc.; capturing feels like you’re more so getting a slice of life
- Figure out what feeling you’re trying to get and then use the tools/skillset at your disposal to create that feeling (whether it’s stage or capture)
- Down play what you’re doing, don’t make it big, keep it small so you can deliver, and then keep increasing the scale
- Take it outside of the four walls, get outside
- “It can still be a small story on a big canvas”
- Every scene has an intention, every scene has a POV, when you’re intentional about your approach and you’re thinking through how it shows up on screen, this creates cinematic moments
- Think about how you’re framing
- Budget is irrelevant to the cinematic feel